/ hope
pondus gloriae
On January 29, 1626 at St. Paul’s Cathedral in London, John Donne preached a sermon on Psalm 63: 7, “Because thou hast been my help, therefore in the shadow of thy wings will I rejoice.” It is surely one of the greatest sermons ever preached on a psalm in the English language. There are ample reasons for thinking so. Here’s one. Donne gets his congregation to see themselves as enemies of God.
It may be said that God’s enemies is not all that we are. What too often is left unsaid is what makes possible that subjunctive. We lack, too many of us preachers, a biblical theology of God as destroyer, what it cost God for us to get involved with him. That we are at enmity with God is indeed but one aspect of our relation to him, but that there is more to knowing God than resisting him, that there are other aspects of our involvement with God including our loving him, depends utterly on the mercy of the Most High, the mercy that makes possible our hope of receiving it.
Imagine yourself sitting in the nave of St. Paul’s in 1626 as the Dean mounts the pulpit steps. Donne is a man who for all his inimitable talent, for all his genius with words, knew on good authority dejection and death. By 1626, he had lost his beloved wife Ann and five of the twelve children he had with her. Imagine yourself hearing — don’t read but hear them — these words. What you hear is a man preaching to his congregation, but what falls on your ear also is the sound made by a man praying, a man whose emotional skills have been subjected to and shaped not merely by his subjective experience willy-nilly but by the psalms. And therein lay his sermon’s lyric power; Donne speaks as the psalmist does, taking his grief directly to the Most High.
When I shall need peace — because there is none but thou, O Lord, that should stand for me — and then shall find that all the wounds that I have come from thy hand, all the arrows that stick in me, from thy quiver; when I shall see that because I have given myself to my corrupt nature, thou hast changed thine, and because I am all evil towards thee, therefore thou hast given over being good towards me; when it comes to this height, that … mine enemy is not an imaginary enemy, fortune, nor a transitory enemy, malice in great persons, but a real and an irresistable and an inexorable and an everlasting enemy, the Lord of Hosts himself, the Almighty God himself — the Almighty God himself only knows the weight of this affliction, and except he put in that pondus gloriae, that exceeding weight of an eternal glory, with his own hand into the other scale, we are weighed down, we are swallowed up, irreparably, irrevocably, irrecoverably, irremediably.
Requiem aeternam dona eis, Domine
Eamon Duffy writes:
Prayer for the dead is neither fear nor fire insurance, emphatically not an attempt to appease an angry or sadistic God. It is an exercise in the virtues of faith and hope and love.
For prayer for the dead is also a bridge across the gulf of separation which is death. We are social beings, but most of us can expect to die alone, in a hospital bed rather than in our homes. Death is the ultimate alienation, the sacramental expression of all the barriers which divide us. Medieval Christianity witnessed against that isolation by constantly remembering the dead, recalling their names, in the liturgy and in private: the dead remained part of the church community . The Reformation, in silencing all naming of the dead in prayer, unwittingly endorsed the experience of death as alienation.
Images of purgatory come and go, some better than others, none of them essential. We do not pray for the dead to bail them out of prison or to placate a God who demands satisfaction, but because we know that they live in Christ, bound to us in a single faith and hope and love, and therefore with a right to a place in our prayers. We feel ourselves diminished by their deaths, and that has a reality in faith as well as in natural experience.
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Duffy in The Tablet. Author of the terrific book The Stripping of the Altars: Traditional Religion in England, c. 1400 to c. 1580, Duffy is Professor of the History of Christianity, and Fellow and Director of Studies, Magdalene College, The University of Cambridge.
The Exsultet
Rejoice now, heavenly hosts and choirs of angels,
and let your trumpets shout Salvation
for the victory of our mighty King.
Rejoice and sing now, all the round earth,
bright with a glorious splendor,
for darkness has been vanquished by our eternal King.
Rejoice and be glad now, Mother Church,
and let your holy courts, in radiant light,
resound with the praises of your people.
It is truly right and good, always and everywhere, with our whole heart and mind and voice, to praise you, the invisible, almighty, and eternal God, and your only-begotten Son, Jesus Christ our Lord; for he is the true Paschal Lamb, who at the feast of the Passover paid for us the debt of Adam’s sin, and by his blood delivered your faithful people.
This is the night, when you brought our fathers, the children of Israel, out of bondage in Egypt, and led them through the Red Sea on dry land.
This is the night, when all who believe in Christ are delivered from the gloom of sin, and are restored to grace and holiness of life.
This is the night, when Christ broke the bonds of death and hell, and rose victorious from the grave.
How wonderful and beyond our knowing, O God, is your
mercy and loving-kindness to us, that to redeem a slave, you
gave a Son.
How holy is this night, when wickedness is put to flight, and
sin is washed away. It restores innocence to the fallen, and joy
to those who mourn. It casts out pride and hatred, and brings
peace and concord.
How blessed is this night, when earth and heaven are joined
and man is reconciled to God.
Holy Father accept our evening sacrifice, the offering of this candle in your honor. May it shine continually to drive away all darkness. May Christ, the Morning Star who knows no setting, find it ever burning—he who gives his light to all creation, and who lives and reigns for ever and ever. Amen.
George Herbert, April 3, 1593 – March 1, 1633
PERSEVERANCE
My God, the poor expressions of my Love
Which warm these lines, and serve them up to thee
Are so, as for the present, I did move
Or rather as thou movedst me.
But what shall issue, whither these my words
Shall help another, but my judgment be;
As a burst fouling-piece doth save the birds
But kill the man, is seal’d with thee.
For who can tell, though thou hast died to win
And wed my soul in glorious paradise;
Whether my many crimes and use of sin
May yet forbid the banes and bliss.
Only my soul hangs on thy promises
With face and hands clinging unto thy breast,
Clinging and crying, crying without cease
Thou art my rock, thou art my rest.
Fyodor Dostoevsky died January 28, 1881 in St. Petersburg. Rowan Williams, Archibishop of Canterbury—see his Dostoevsky: Language, Faith, and Fiction—speaks of Raskolnikov, Sonja, and Crime and Punishment, of Ilyusha, Ivan, Dmitri, and Father Zossima of The Brothers Karamazov. An excerpt: “[Dostoevsky] wrote occasionally as if he thought the Russian Monks’ discourses were the answer to Ivan’s great revolt against God but I think in the logic in the drama of the book it’s almost admitted there’s no answer in words. When Ivan’s finished the great indictment of God for allowing suffering the only answer that Ilyusha gives him is to go and kiss him. And in a sense Dostoevsky leaves it there; there is appalling unspeakable evil in the world and he’s drawn from the newspapers, these dreadful stories of cruelty to children particularly and abuse of children – nightmarish stories, and it’s as if he says ‘That’s real; so is love, so is compassion – make what you will of it. I’m not going to give you any theoretical answer but it’s as much of a puzzle and a challenge that there is compassion in the world as that there is unspeakable cruelty.” From the BBC.
Artists, scientists and psychoanalysts have in different ways warned against the dangerous illusion of thinking we are immortal. Maturity lies in accepting the truth - and then making the most of every moment of sensation so that our response is as deep and wholehearted as may be. ‘This thou perceiv’st, which makes thy love more strong, / To love that well which thou must leave ere long’, as Shakespeare has it at the end of one of his most memorable sonnets (no.73).
Yet here comes the Easter gospel, apparently determined to upset this stoical maturity and to promise us just that eternal life we are urged to leave behind as a childish fantasy. Death will be ‘overcome’, ‘swallowed up in victory’. (I Cor 15.54) Is the Christian gospel just a version of that popular but problematic passage sometimes read at funerals, beginning ‘Death is nothing at all’ and talking of it as just ‘slipping into the next room’?
That’s not quite the tone of what St Paul or any of the other New Testament writers is saying - nor of some of the ancient hymns and prayers of the Church in this season. ‘Death and life have contended in that combat stupendous’, says one early mediaeval hymn (the Sequence of Easter Sunday); and the whole idea of a battle between life and death in the events of Christ’s death and resurrection doesn’t suggest an event that is ‘nothing at all’. Death takes quite bit of overcoming; there’s a struggle involved here. And Jesus as he faces death seems to take it with utter seriousness, acknowledging terror and shrinking from it in his desperate prayer in Gethsemane. Easter may tell us that death is conquered, but it doesn’t tell us that there was never any contest.
Perhaps that’s the clue. Easter is not about denying death, and the resurrection doesn’t make the nightmare death on the cross unreal. Death is exactly what the artists and scientists and psychoanalysts say: it is a full stop to human growth and response, it is night falling on everything we value or understand or hope for. Fear is natural, and so is grief at the death of another (Jesus, remember, shed tears for the death of a friend). Don’t attempt to avoid it or deny its seriousness. On the contrary, keep it in view; remind yourself of it. When the tradition of the Church proposes that you think daily about death and prepare for it, it isn’t being morbid but realistic: get used to it and learn to live with the fear. And meanwhile - Shakespeare was being entirely Christian in this respect - get used to loving and valuing things and persons irrespective of the fact that they won’t be there for ever. Love them now, and what you would want to do for them, do now. ‘Night is coming when no-one can work’, says Jesus. (John 9.4)
So what does it mean to say that, despite all this, death is ‘defeated’? When death happens and growing stops, there are no more plans, no more hope of control: for the believer, there is only God left. Just as at the very beginning of creation, there is God, and there is the possibility that God has brought into being by his loving will. When death has done all it can do, God remains untouched and his will is the loving and generating will that it eternally is. When we look at death, we look at something that can destroy anything in our universe - but not God, its maker and redeemer. And if we accept that we shall die and all our hopes and schemes fall into the dark, we do so knowing that God is unchanged. So to die is to fall into the hands of the living God.
That is why the effort to keep death daily before us is a source of life and hope. It is to commend ourselves every day into God’s hands, trusting that he is eternally a loving creator, in whom there is no darkness at all, as the New Testament says. (I John 1.5) And when we let ourselves go into God’s hands, we do so confident that he is free to do what he wills with us - and that what he wills for us is life. The Easter story is not about how Jesus survived death or how the spirit of Jesus outlasted his mortal frame or whatever; it is about a person going down into darkness and the dissolving of all things and being called again out of that nothingness. Easter Day, as so many have said, is the first day of creation all over again - or, as some have put it, the eighth day of the week, the unimaginable extra that is assured by the fact that God’s creative word is never stifled or silenced.
—From the Easter sermon of Rowan Williams, Archbishop of Canterbury [here]

