/ learning
Hic Jacet
Bryce Taylor, a junior at Silliman College and my son Gabriel’s roommate, writes an occasional column titled *Untimely Meditations* for the Yale Daily News. Hat tip to Matt Gerken. What does Gabe know?
Black metal spears, their tips pointed skyward, line Grove Street in legions. They form a fence, and behind them are graves. One might wonder, trudging along the sidewalk, what invisible army it is that holds these spears. One might feel grateful that they protect us from the dead.
On occasion, though, it is well to seek out the dead, to convene with their humble silence. More perspective, as it is called, can perhaps be gleaned from an hour in the cemetery than from a whole semester abroad. England and China have their charms, but in a cemetery you are looking at your certain destiny. Dust.
I approached the gate and found it closed. There was a bench nearby. I took a seat and looked past the sable spears to clusters of tombstones, some standing proudly erect, others leaning as if to bow. The bodies beneath them lay starkly parallel amid the dirt of the earth. “The scepter, learning, physic, must/ All follow this, and come to dust.” Shakespeare. A leaf dropped to the ground. Fall was encroaching… .
Students with their books and backpacks paced along the sidewalk. Why — if learning comes to dust — do they work so hard to learn? What are we doing here? “Gathering rosebuds while we may,” one might propose. But if rosebuds, too, amount to dust, they are rubbish, they are empty. Something there is that wants immortality.
How bizarre a cemetery is! How strange that men should bury one another, should entertain superstitions about ghouls and souls and afterlives. What is it in men that induces them to dream of infinity? What is it that prompts Hamlet to fear the next life? How is it that feeble-bodied brutes evolved from apes should have in common — whatever their culture, whatever their historical period — some sense of that dimension transcending their momentary dust-bound lives.
I rose from my seat. Along the sidewalk, I passed beneath the shadow of the entrance gate. It towers high above the ranks of black spears. On another day I will enter the gate. For now I study its proclamation. THE DEAD SHALL BE RAISED. What absurdity! What a scandal, what an embarrassment to our enlightened campus!
I marched along the sidewalk, happy to think that the worm, very soon, will thrust its head out of the dirt and into the sunlight.
Tim Kreider in the NYT. Make sure to read this essay, easily the cleverest I’ve read in the Times in a long time and one sure to remain near the top of my personal best essays read in 2009 list. It begins thus: “Fourteen years ago I was stabbed in the throat. This is kind of a long story and it’s not the point of this essay. The point is that after my unsuccessful murder I wasn’t unhappy for an entire year.”
He never describes the stabbing. It’s a brilliant twist on what the Greeks used to call αὔξησις. For more of the same, read his comic about telling the stabbing story.
Gillian Kura Ellsworth receives her Saint Andrew’s high school diploma at the Cathedral Church of Saint Peter and Saint Paul, Washington, DC, June 5, 2009. Taken from a position near the third bay north triforium above the great choir. Photo courtesy of Peter Johnston.
Lent, and the world's oldest profession
To be a Christian is to engage in a kind of combat, and Lent mirrors that ordeal. A time of preparation for baptism on Easter, Lent is a commemoration of Christ’s fast in the wilderness for forty days. Jesus is driven by the Spirit into the wild to do combat with the adversary who, in a garden, tempts a woman to eat the fruit and see what happens. Satan is the inventor of the world’s oldest profession: advertising. “See this apple? You need this apple. Price: one soul. You can afford it.” We fall for it. Jesus doesn’t. If we come to Holy Saturday recognizing that, we will have observed a Holy Lent.
Here’s a tool I use that virtually eliminates adverts from my screen reading.
intelligence
The best way to understand why I.Q.s rise, Flynn argues, is to look at one of the most widely used I.Q. tests, the so-called WISC (for Wechsler Intelligence Scale for Children). The WISC is composed of ten subtests, each of which measures a different aspect of I.Q. Flynn points out that scores in some of the categories—those measuring general knowledge, say, or vocabulary or the ability to do basic arithmetic—have risen only modestly over time. The big gains on the WISC are largely in the category known as “similarities,” where you get questions such as “In what way are ‘dogs’ and ‘rabbits’ alike?” Today, we tend to give what, for the purposes of I.Q. tests, is the right answer: dogs and rabbits are both mammals. A nineteenth-century American would have said that “you use dogs to hunt rabbits.”
“If the everyday world is your cognitive home, it is not natural to detach abstractions and logic and the hypothetical from their concrete referents,” Flynn writes. Our great-grandparents may have been perfectly intelligent. But they would have done poorly on I.Q. tests because they did not participate in the twentieth century’s great cognitive revolution, in which we learned to sort experience according to a new set of abstract categories. In Flynn’s phrase, we have now had to put on “scientific spectacles,” which enable us to make sense of the WISC questions about similarities. To say that Dutch I.Q. scores rose substantially between 1952 and 1982 was another way of saying that the Netherlands in 1982 was, in at least certain respects, much more cognitively demanding than the Netherlands in 1952. An I.Q., in other words, measures not so much how smart we are as how modern we are… .
The psychologist Michael Cole and some colleagues once gave members of the Kpelle tribe, in Liberia, a version of the WISC similarities test: they took a basket of food, tools, containers, and clothing and asked the tribesmen to sort them into appropriate categories. To the frustration of the researchers, the Kpelle chose functional pairings. They put a potato and a knife together because a knife is used to cut a potato. “A wise man could only do such-and-such,” they explained. Finally, the researchers asked, “How would a fool do it?” The tribesmen immediately re-sorted the items into the “right” categories.
I don’t think that Americans were smarter then, but American culture was. Even the mass media placed a greater emphasis on presenting a broad range of human achievement. I grew up mostly among immigrants, many of whom never learned to speak English. But at night watching TV variety programs like the Ed Sullivan Show or the Perry Como Music Hall, I saw—along with comedians, popular singers, and movie stars—classical musicians like Jascha Heifetz and Arthur Rubinstein, opera singers like Robert Merrill and Anna Moffo, and jazz greats like Duke Ellington and Louis Armstrong captivate an audience of millions with their art.
The same was even true of literature. I first encountered Robert Frost, John Steinbeck, Lillian Hellman, and James Baldwin on general interest TV shows. All of these people were famous to the average American—because the culture considered them important. Today no working-class or immigrant kid would encounter that range of arts and ideas in the popular culture. Almost everything in our national culture, even the news, has been reduced to entertainment, or altogether eliminated.
The loss of recognition for artists, thinkers, and scientists has impoverished our culture in innumerable ways, but let me mention one. When virtually all of a culture’s celebrated figures are in sports or entertainment, how few possible role models we offer the young. There are so many other ways to lead a successful and meaningful life that are not denominated by money or fame. Adult life begins in a child’s imagination, and we’ve relinquished that imagination to the marketplace. Of course, I’m not forgetting that politicians can also be famous, but it is interesting how our political process grows more like the entertainment industry each year. When a successful guest appearance on the Colbert Report becomes more important than passing legislation, democracy gets scary. No wonder Hollywood considers politics “show business for ugly people.”
Everything now is entertainment. And the purpose of this omnipresent commercial entertainment is to sell us something. American culture has mostly become one vast infomercial. I have a reccurring nightmare. I am in Rome visiting the Sistine Chapel. I look up at Michelangelo’s incomparable fresco of the “Creation of Man.” I see God stretching out his arm to touch the reclining Adam’s finger. And then I notice in the other hand Adam is holding a Diet Pepsi.
When was the last time you have seen a featured guest on David Letterman or Jay Leno who isn’t trying to sell you something? A new movie, a new TV show, a new book, or a new vote? Don’t get me wrong. I love entertainment, and I love the free market. I have a Stanford MBA and spent 15 years in the food industry. I adore my big-screen TV. The productivity and efficiency of the free market is beyond dispute. It has created a society of unprecedented prosperity. But we must remember that the marketplace does only one thing—it puts a price on everything.
Dana Gioia, Chairman of the National Endowment for the Arts, to Stanford graduates, 2007, here
Barzun’s breadth of erudition has been a byword among friends and colleagues for six decades. Yet, in spite of his degrees and awards (he was made a Chevalier de l’Ordre National de la Légion d’Honneur and has received the Presidential Medal of Freedom), Barzun regards himself in many respects as an “amateur” (the Latin root, amator, means “lover”), someone who takes genuine pleasure in what he learns about. More than any other historian of the past four generations, Barzun has stood for the seemingly contradictory ideas of scholarly rigor and unaffected enthusiasm.
One of those enthusiasms produced what may be his most frequently quoted sentence: “Whoever wants to know the heart and mind of America had better learn baseball.”
But the great majority of professors understand that the art of teaching consists not only of arousing desire but of redirecting it toward its proper object, from the teacher to the thing taught. Teaching, Yeats said, is lighting a fire, not filling a bucket, and this is how it gets lit. The professor becomes the student’s muse, the figure to whom the labors of the semester —the studying, the speaking in class, the writing—are consecrated. The alert student understands this… . Natural transmission is easy; any animal can do it. Cultural transmission is hard; it takes a teacher. The teacher’s job, in Keats’s terms, is to point you through the vale of soul-making. We’re born once, into nature and into the culture that quickly becomes a second nature. But then, if we’re granted such grace, we’re born again. For what does it profit a man if he gains the whole world and loses his mortal soul?

